{"id":12235,"date":"2024-12-18T19:58:20","date_gmt":"2024-12-18T18:58:20","guid":{"rendered":"https:\/\/www.chavinandez.com\/blog\/?p=12235"},"modified":"2024-12-18T21:09:01","modified_gmt":"2024-12-18T20:09:01","slug":"critica-de-montanas-en-armonia-por-adrian-perez-de-lonely-wolf-international-film-festival","status":"publish","type":"post","link":"https:\/\/www.chavinandez.com\/blog\/critica-de-montanas-en-armonia-por-adrian-perez-de-lonely-wolf-international-film-festival\/","title":{"rendered":"Cr\u00edtica de Monta\u00f1as en armon\u00eda por Adri\u00e1n P\u00e9rez de Lonely Wolf International Film Festival\u00a0"},"content":{"rendered":"\n

Monta\u00f1as en armon\u00eda (Espa\u00f1a)<\/strong>
\u2605\u2605\u2605\u2605\u00bd\u00a0<\/strong><\/p>\n\n\n\n

Dirigida por Francisco Javier Fern\u00e1ndez Bordonada<\/strong><\/p>\n\n\n\n

\u00abMonta\u00f1as en armon\u00eda\u00bb, de Francisco Javier Fern\u00e1ndez Bordonada, asciende a alturas sobrecogedoras, tanto literal como metaf\u00f3ricamente, ofreciendo una clase magistral de cine documental medioambiental que se hace eco del enfoque reverente de \u201cLa cueva de los sue\u00f1os olvidados\u201d (2010), de Werner Herzog, al tiempo que abraza la urgente conciencia ecol\u00f3gica de \u00bbAntropoceno: The Human Epoch\u00bb (2018) de Jennifer Baichwal. Esta meditaci\u00f3n visualmente suntuosa sobre nuestra relaci\u00f3n con los paisajes monta\u00f1osos se sit\u00faa en la intersecci\u00f3n de la observaci\u00f3n etnogr\u00e1fica y la defensa del medio ambiente, creando una narrativa que resuena con especial conmovedora en nuestra actual \u00e9poca de crisis clim\u00e1tica.<\/p>\n\n\n\n

La proeza cinematogr\u00e1fica de la pel\u00edcula rivaliza con la de \u00abMy Octopus Teacher\u00bb (2020), de James Reed y Pippa Ehrlich, pero en lugar de sondear las profundidades oce\u00e1nicas, Bordonada escala cumbres vertiginosas con una c\u00e1mara que parece desafiar las limitaciones gravitatorias. Cada fotograma est\u00e1 compuesto con una precisi\u00f3n pict\u00f3rica que evoca los sublimes paisajes de Caspar David Friedrich, al tiempo que abraza el esp\u00edritu ecologista contempor\u00e1neo que defini\u00f3 \u00abFuego de amor\u00bb (2022), de Brett Morgen. La experiencia del director en fotograf\u00eda a\u00e9rea se manifiesta en secuencias que trascienden la mera convenci\u00f3n documental, logrando una especie de fenomenolog\u00eda visual que habla tanto de la majestuosidad como de la vulnerabilidad de estos elevados ecosistemas.<\/p>\n\n\n\n

A trav\u00e9s de un magistral entretejido de testimonios de expertos y sabidur\u00eda ind\u00edgena, Bordonada construye un rico tapiz de significados que explora tres hilos filos\u00f3ficos centrales: el concepto de topofilia (la profunda conexi\u00f3n psicol\u00f3gica de la humanidad con el lugar), el impacto del antropoceno en las formas tradicionales de ser, y la dial\u00e9ctica entre preservaci\u00f3n y progreso. Estos temas son particularmente evidentes en una impresionante secuencia en la que las antiguas pr\u00e1cticas de pastoreo se yuxtaponen a la modernizaci\u00f3n invasora, creando una ret\u00f3rica visual que recuerda la conciencia ambiental de \u00abAquarela\u00bb (2018) de Viktor Kossakovsky.<\/p>\n\n\n\n

Los momentos m\u00e1s trascendentes de la pel\u00edcula llegan cuando Bordonada permite que su c\u00e1mara se detenga en silencio contemplativo en la interacci\u00f3n entre la luz y el paisaje. Estas secuencias logran lo que el fil\u00f3sofo franc\u00e9s Gaston Bachelard denomin\u00f3 \u00abtiempo vertical\u00bb, momentos en los que el tiempo cronol\u00f3gico parece detenerse, permitiendo un profundo compromiso fenomenol\u00f3gico con el espacio. El trabajo previo del director documentando los olivares espa\u00f1oles sirvi\u00f3 claramente de base para este enfoque paciente y observacional, aunque aqu\u00ed alcanza nuevas cotas de madurez art\u00edstica.<\/p>\n\n\n\n

Para ser su primera incursi\u00f3n en el documental medioambiental, Bordonada demuestra una notable seguridad en su oficio. La excelencia t\u00e9cnica de la pel\u00edcula est\u00e1 al servicio de su prop\u00f3sito m\u00e1s profundo: iluminar la precaria armon\u00eda entre la cultura humana y los ecosistemas de monta\u00f1a. En una \u00e9poca en la que los documentales medioambientales suelen caer en el didactismo o la desesperaci\u00f3n, \u00abMonta\u00f1as en armon\u00eda\u00bb traza un camino m\u00e1s matizado, ofreciendo una profunda meditaci\u00f3n sobre nuestra relaci\u00f3n con las formaciones m\u00e1s majestuosas de la Tierra. Se trata de un visionado esencial para cualquiera que se preocupe por el futuro de los lugares salvajes de nuestro planeta, y marca a Bordonada como una nueva voz significativa en el cine medioambiental.<\/p>\n\n\n\n

– Cr\u00edtica de Adri\u00e1n P\u00e9rez<\/strong><\/p>\n\n\n\n

Para ver el documental completo ir aqu\u00ed en FILMIN<\/a><\/strong><\/p>\n\n\n\n

Versi\u00f3n original en ingl\u00e9s de la cr\u00edtica Fuente de la cr\u00edtica cinematogr\u00e1fica<\/a> (Lonely Wolf International Film Festival\u00a0)<\/p>\n\n\n\n

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Mountains In Harmony (Spain)\u00a0<\/strong>
\u2605\u2605\u2605\u2605\u00bd\u00a0<\/strong>
Directed by Francisco Javier Fern\u00e1ndez Bordonada<\/strong><\/p>\n\n\n\n

Francisco Javier Fern\u00e1ndez Bordonada’s “Mountains in Harmony” ascends to breathtaking heights, both literally and metaphorically, offering a masterclass in environmental documentary filmmaking that echoes the reverent approach of Werner Herzog’s “Cave of Forgotten Dreams” (2010) whilst embracing the urgent ecological consciousness of Jennifer Baichwal’s “Anthropocene: The Human Epoch” (2018). This visually sumptuous meditation on our relationship with mountainous landscapes positions itself at the intersection of ethnographic observation and environmental advocacy, crafting a narrative that resonates with particular poignancy in our current climate crisis epoch.<\/p>\n\n\n\n


The film’s cinematographic prowess rivals that of James Reed and Pippa Ehrlich’s “My Octopus Teacher” (2020), but rather than plumbing oceanic depths, Bordonada scales vertiginous peaks with a camera that seems to defy gravitational constraints. Each frame is composed with painterly precision, calling to mind the sublime landscape paintings of Caspar David Friedrich, while simultaneously embracing the contemporary environmental zeitgeist that defined Brett Morgen’s “Fire of Love” (2022). The director’s background in aerial photography manifests in sequences that transcend mere documentary convention, achieving a sort of visual phenomenology that speaks to both the majesty and vulnerability of these elevated ecosystems.<\/p>\n\n\n\n


Through a masterful interweaving of expert testimony and indigenous wisdom, Bordonada constructs a rich tapestry of meaning that explores three central philosophical threads: the concept of topophilia (humanity’s profound psychological connection to place), the anthropocene’s impact on traditional ways of being, and the dialectic between preservation and progress. These themes are particularly evident in a stunning sequence where ancient shepherding practices are juxtaposed against encroaching modernisation, creating a visual rhetoric that recalls the environmental consciousness of Viktor Kossakovsky’s “Aquarela” (2018).<\/p>\n\n\n\n


The film’s most transcendent moments arrive when Bordonada allows his camera to linger in contemplative silence on the interaction between light and landscape. These sequences achieve what French philosopher Gaston Bachelard termed “vertical time” – moments where chronological time seems to pause, allowing for deep phenomenological engagement with space. The director’s previous work documenting Spanish olive groves clearly informed this patient, observational approach, though here it reaches new heights of artistic maturity.
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For a first foray into feature-length environmental documentary, Bordonada demonstrates remarkable assurance in his craft. The film’s technical excellence serves its deeper purpose: to illuminate the precarious harmony between human culture and mountain ecosystems. In an era where environmental documentaries often default to didacticism or despair, “Mountains in Harmony” charts a more nuanced course, offering a profound meditation on our relationship with Earth’s most majestic formations. This is essential viewing for anyone concerned with the future of our planet’s wild places, marking Bordonada as a significant new voice in environmental cinema.<\/p>\n\n\n\n


– Reviewed by Adri\u00e1n P\u00e9rez<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Monta\u00f1as en armon\u00eda (Espa\u00f1a) \u2605\u2605\u2605\u2605\u00bd\u00a0 Dirigida por Francisco Javier Fern\u00e1ndez Bordonada \u00abMonta\u00f1as en armon\u00eda\u00bb, de Francisco Javier Fern\u00e1ndez Bordonada, asciende a alturas sobrecogedoras, tanto literal como metaf\u00f3ricamente, ofreciendo una clase magistral de cine documental medioambiental que se hace eco del enfoque reverente de \u201cLa cueva de los sue\u00f1os olvidados\u201d (2010), …<\/p>\n","protected":false},"author":1,"featured_media":12236,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3413,53,2482,3191,2483,2484,3190,223,2337,3],"tags":[3330,2006,3363,67,3414],"class_list":["post-12235","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","category-documental","category-drones","category-festivales-de-cine","category-filmacion","category-fotografia-aerea","category-premios","category-reportajes","category-viajes","category-videos","tag-cine-documental","tag-festivales","tag-montanas-en-armonia","tag-pirineos","tag-premios-festivales","column","threecol","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/posts\/12235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/comments?post=12235"}],"version-history":[{"count":2,"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/posts\/12235\/revisions"}],"predecessor-version":[{"id":12238,"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/posts\/12235\/revisions\/12238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/media\/12236"}],"wp:attachment":[{"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/media?parent=12235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/categories?post=12235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chavinandez.com\/blog\/wp-json\/wp\/v2\/tags?post=12235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}